The philosophy of art : the question of definition

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What is Art? – The Question of Definition Reloaded | brill

Time, which is measured and indicated with obsessive constancy throughout the entire film, coincides with that of our lives in an astonishing way. The spectator realizes this immediately—at first with surprise and then with mounting unease combined with authentic enjoyment. Time passes and is measured; it is spoken of and considered throughout the whole of the film, for 24 extraordinary hours.

Across time, the answers to some of the most challenging questions are dealt with—some of them, after having been brought up in one scene, are answered in a different one, almost in a new temporal dimension.


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The medium is never transparent; in fact, we do not watch the kaleidoscopic collage as a collection of images but rather as a revisiting of the history of cinematography and, at the same time, of our memory. Another useful example can be found in Irene Caesar.


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  5. She is not an ordinary photographer: she considers herself a provoking artist. In fact, she loves to provoke us in order to test the validity of our ideas; that is, the conceptual structures that allow us to interact with the world.

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    As a result, she requires something very simple of her subjects: that they incarnate a particular idea before the lens, experiencing it and representing it. First and foremost, it cites the grand art of the Cinquecento, along with the countless iconographic representations of the maternity scene. Caesar places a woman before her lens, a mother with her child, who is loved but is also displayed as a symbol.

    Aesthetics

    Christian theology tells us that God is male, tradition tells us that God is male, and Western art has repeated to us for centuries that God is male. And not at all pretentious. For each came to regard aesthetic consciousness as a significant and unitary element of human existence. Kant argued in the Critique of Judgement, aesthetic judgement provids the essential focus for connecting the theorical and practical aspects of our nature.

    It can thus reconcile the worlds of nature and freedom. The artist proceeds by imitation but also what copy is the sensible thing is to say an already imperfect reproduction of the Idea. Instead of approaching the truth, it increases the distance that separates her.

    What is Art?

    The latter is used in scientific discourse and is to apply concepts universal prior to singular objects. But a science of art is possible in that art is a production of the spirit Geist , it is not unlike the individual consciousness. The primary subject of art is not nature but the artist himself, the depths of his soul, emotions, etc.. Alain critique this view by stating that the imagination is an illusion and that nothing is given, in the human psyche, an emotional disorder.

    Art is the externalization, the act of ordering and discipline of the passions.

    Intro to Aesthetics - Philosophy Tube

    The figure of Dionysus, which is essential to tragedy, is what is terrifying to disproportionate in nature. Nature, only an artistic vision can support and embellish, is the power of metamorphosis, becoming, creation and destruction.



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