Film, Lacan and the Subject of Religion: A Psychoanalytic Approach to Religious Film Analysis

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In their study of religion and film, religious film analysts have tended to privilege religion. Film, Lacan and the Subject of Religion proposes an interpretive strategy by which religious film analysts can develop the kind of analysis that engages with and critiques both cultural and religious practice.

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Be the first to write a review About this product. About this product Product Information In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media.

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Steve Nolan argues that, in each case, subjects identify with a represented other' which joins them into a narrative where they become participants in an ideological reality'. Brand new: lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable.

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In their study of religion and film, religious film analysts have tended to privilege religion. Film, Lacan and the Subject of Religion proposes an interpretive strategy by which religious film analysts can develop the kind of analysis that engages with and critiques both cultural and religious practice. See details. See all 2 brand new listings.

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Buy It Now. Add to cart. Be the first to write a review About this product. About this product Product Information In their study of religion and film, religious film analysts have tended to privilege religion.

A Critique of Psychoanalytic Film Analysis: The Case of the Alien Quartet

Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented other' which joins them into a narrative where they become participants in an ideological reality'.


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Finding many current approaches to religious film analysis lacking, "Film, Lacan and the Subject of Religion" explores the film theory other writers ignore, particularly that mix of psychoanalysis, Marxism and semiotics - often termed "Screen" theory - that attempts to understand how cinematic representation shapes spectator identity. Using translations and commentary on Lacan not originally available to" Screen" theorists, Nolan returns to Lacan's contribution to psychoanalytic film theory and offers a sustained application to religious practice, examining several priest films' and real-life case study to expose the way liturgical representation shapes religious identity.

Additional Product Features Dewey Edition. This book takes the study of film and religion onto a new level of critical and theological sophistication, challenging alike to film theory and to theology and liturgical studies. Show More Show Less.



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