Britain and the Netherlands: Volume V Some Political Mythologies

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Courbet and realism: This painting by Alphonse Legros reflects the influence of Gustave Courbet who, in the mid-nineteenth century, challenged convention by rejecting the historical and mythological subjects that had dominated art for centuries. Instead he painted scenes of daily life. The paintings, on the large scale previously reserved for history painting and in a realist style, shocked the art world. Impressionism: Like Courbet, the impressionists chose to paint scenes of everyday modern life.

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They also wanted to capture the movement and effects of light that they saw in nature and rejected established styles, using instead rapid brush marks and bright colours. Their radical technique and creation of paintings which can appear quite abstract, place them as important innovators in the early history of modern art.

Post-impressionism: In the late s a group of painters explored ways of expressing emotions in their work, by using simplified colours and definitive forms — rather than simply painting what they saw. Fauvism: The Fauve painters were the first to break with traditional methods of perception. Their spontaneous, often subjective response to nature was expressed in bold brushstrokes and high-keyed, vibrant colours used directly from the paint tube. Cubism: Cubism was a revolutionary new approach to representing reality invented in around by artists Pablo Picasso and Georges Braque who aimed to bring different views of subjects together in the same picture, resulting in paintings that appear fragmented and abstracted.

Cubism opened up almost infinite new possibilities for the treatment of visual reality and was the starting point for many later abstract styles. It is one of the seminal works of modern art, and of Western art generally, marking as it does the break between representational painting and abstract painting. Malevich declared the square a work of Suprematism, a movement which he proclaimed but which is associated almost exclusively with his own work.

Constructivism: Constructivism was a particularly austere branch of abstract art building on the experiments in abstraction undertaken by the cubists. It rejected the idea of art as separate from other aspects of life and was in favour of art as a practice for social purposes.


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  • It was founded in in by Piet Mondrian and Theo van Doesburg, and had a profound influence on the development both of abstract art and modern architecture and design. Dada: Formed in Zurich as a response to the horrors of the First World War, the aim of the Dada artists was to destroy traditional values in art and to create a new art that could reflect the modern world.

    The art, poetry and performance produced by dada artists is often satirical and nonsensical in nature. In addition to being anti-war, dada was also anti-bourgeois and had political affinities with the radical left. Surrealism: Surrealism was a movement which began in the s of writers and artists. The aim of surrealism was to reveal the unconscious and reconcile it with rational life.


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