Newly commissioned interviews, artist projects, and essays shed light on topics such as parafiction and algorithmic ambiguity. It is the first volume in a series of books that focuses on what is happening both inside and outside of the art institute. Cultures of the Curatorial 3 Hospitality: Hosting Relations in Exhibitions A curatorial situation is always one of hospitality. This publication analyzes the curatorial within the current sociopolitical context, through key topics concerning immigration, conditions along borders, and accommodations for refugees.
The contributions in this volume, by international curators, artists, critics, and theoreticians, deal with conditions of decontextualization and displacement, encounters between the local and the foreign, as well as the satisfaction of basic human needs. The artist situates his paintings in complex interrelationships, where connections and relevancies are constantly reconfigured, forming a continuously growing web. Lydia Okumura Situations For almost fifty years, Lydia Okumura has explored the realm of geometric abstraction. She challenges our perception of space through sculptures, installations, and works on paper that blur distinctions between dimensions.
Spaces of Commoning Artistic Research and the Utopia of the Everyday Spaces of Commoning: Artistic Research and the Utopia of the Everyday is the outcome of a research project pursued by a group of artists, architects, and social theorists. In the face of an exhilarating politics of accumulation and dispossession, the group explores commoning as the subject as well as the means of its study. This has been a key undercurrent to a practice that spans painting, sculpture, video, and installation.
Following the lure of the fringes, the artist culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web. Boris Groys Ed. Martin Herbert Tell Them I Said No This collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms. Providing a counterargument to this concept of self-marketing, Herbert examines the nature of retreat, whether in protest, as a deliberate conceptual act, or out of necessity.
By illuminating these motives, Tell Them I Said No offers a unique perspective on where and how the needs of the artist and the needs of the art world diverge. Hannah Rickards Grey light Left and right back, high up, two small windows Grey light. Left and right back, high up, two small windows is a major new work by London-based artist Hannah Rickards commissioned by Fogo Island Arts. Anthony Downey Ed. Future Imperfect Contemporary Art Practices and Cultural Institutions in the Middle East Future Imperfect critically examines the role played by cultural institutions in producing present-day and future contexts for the production, dissemination, and reception of contemporary art in the Middle East and North Africa.
It offers historical contexts for discussions that have become increasingly urgent in recent years—the role of culture in a time of conflict and globalization—and an in-depth critique of the state of cultural institutions in an age of political upheaval, social unrest, exuberant cultural activity, ascendant neoliberal forms of privatization, social activism, and regional uncertainty.
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Since , however, her main focus and passion has been painting. The title of this publication describes the main focus of her work: the still life. Texts by writers and artists and an interview with Du Pasquier provide an informative and subjective view of her artistic practice. The diversity of voices in this publication mirrors the complexity of the region itself: its various curatorial spaces, infrastructures, and political systems. Welcome to Transciency Preis der Kunsthalle Wien Addressing possible configurations of art and nature, Margit Busch, recipient of the Kunsthalle Wien Prize , created a laboratory-cum-experiment that included mealworms and beetles that consume, and thus recycle, polystyrene plastic.
Andrej Polukord The Sarcophagus Preis der Kunsthalle Wien Andrej Polukord, corecipient of the Kunsthalle Wien prize, draws on painting, installation, performance, and video art to create unpredictable environments and absurd situations that produce double meanings and ambiguity. Polukord installed The Sarcophagus at Kunsthalle Wien, an environment that takes the form of a cave.
In this installation mushrooms grow from the ceiling of the Kunsthalle, transforming the gallery into the space of an inverted forest floor. Hubs and Fictions On Current Art and Imported Remoteness Hubs and Fictions , originally a touring forum, invited international curators, writers, and producers to probe how fiction plays out in a globally distributed art-world ecology, and how infrastructures are invented against its background. The book functions as a deliberately discontinuous reader; it juxtaposes documents, negotiations, and reflections from and on these conversations.
Monica Ross Ethical Actions A Critical Fine Art Practice British artist Monica Ross — left behind forty years of socially engaged, feminist, and performative artwork, which has had a deep effect on contemporary art and society. Boris Groys Particular Cases This collection of essays does not aim to illustrate a prefabricated theory of art, but rather follows the impulses given by artworks themselves. Philosopher and art critic Boris Groys writes about significant artists and artworks of the last century that have pushed his thinking and writing in a new direction.
His striking and original arguments do not try to substitute the singular content or message of an artwork. Rather, the writings are inspired by art as a mind-changing practice—as if contemporary artists, completely secularized, can still produce a sort of conversion within the spectator. Jan Paul Evers, Leon Kahane, Jumana Manna ars viva The ars viva Prize has been awarded annually since to young artists living in Germany whose work stands out for its innovative potential and high artistic quality.
These objects consist of collapsible and modular furniture-like elements, as well as seemingly nonfunctional sculptures made of light materials Karina Mendreczky Preis der Kunsthalle Wien With delicate lyricism, Karina Mendreczky creates fictional landscapes using light and shadow. Silhouettes of acrylic trees, whose details were hand-carved with an etching needle, were projected onto the back wall of the gallery to create the impression of actual large-format drawings.
Signature Strengths The No-Frills book series was developed in the early s as a translation of the non-branding strategy of supermarket staples to mass-market genre fiction. An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the Contemporary Condition series introduces some of the key issues concerning contemporaneity as a defining condition of our historical present.
It thus acts as an extended preface to the series as a whole, calling for a rethinking of the deep structures of temporalization that render our present the way it is. This is approached through art and design practices that unfold this multiplicity of time, closely entwined with contemporary concerns in aesthetic theory, to understand and engage with the planetary time scales of slow environmental violence. Terry Smith The Contemporary Composition Can we speak of composition when we are in a state of unfathomable decomposition? Art being made today defies coherent categorization, and the world presents itself, day after day, as spinning into confused chaos, structural disintegration, and violent disorder.
Revising his well-known histories of contemporary art, Terry Smith argues that we must respond to the compelling need for coeval composition at a time defined by the contemporaneity of divisive difference. This book traces how—despite many obstacles—visual artists across the globe are rising to this challenge. Listening is a political act, a pedagogical process, and an activity that can lead to the development of an organized protocol for engagement. In his art and research, Beirut-based artist Lawrence Abu Hamdan explores the perception of language, sound, and listening.
National identity, human rights, and the administration of justice are recurrent themes in his work. The exhibition and publication are the first to present the work of Bennett since his death. The works in the show tackle narratives from his own geographical region—Asia Pacific, in which his home country of Australia plays a colonial role—and weaves them into a bigger picture to take into account the global economy, resource extraction, and the ultimate power of the sun.
Angela Bulloch, Maria Zerres Considering Dynamics and the Forms of Chaos This volume accompanies the eponymous exhibition at the Sharjah Art Museum—two parallel solo shows by Angela Bulloch and Maria Zerres brought together under one title, framed by the notion of entropy. A key term that characterizes the movement toward chaos, entropy appears in a variety of fields such as physics, probability theory, sociology and information technology.
Within contemporary art, entropy has emerged to refer to installations often associated with representations of order, disorder and information, and their homogeneity. Tirdad Zolghadr Traction Traction argues that contemporary art is defined by a moral economy of indeterminacy that allows curators and artists to imagine themselves on the other side of power. This self-positioning, in turn, leaves us politically bankrupt, intellectually stagnant, and aesthetically predictable. In his memoir-polemic, curator and writer Tirdad Zolghadr candidly reflects on his own experiences and the work of others.
Each person written about is represented by a letter, and when an object turns into a subject it is marked in bold. This book was written from the middle. The contents of these pages have been modified numerous times. Notes were taken, ideas were rewritten—the ones that survived bare the most essential guidelines and wisdom for life Shezad Dawood Kalimpong Kalimpong is an artist project in book form by the London-based artist Shezad Dawood.
There are explorers and spies, poets and travelers, lovers and strangers, princesses and humanoids, all strangely connected across the globe through this curious Indian town. David Harvey Abstract from the Concrete Marxist geographer David Harvey opened his lecture with a fact: between and China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete , he asks why. They were frequently looted together with other valuables from Bosnian homes.
It was acquired at a public auction in It is missing volume number All over Europe, young people are occupying central public squares to demonstrate for more social justice. In Berlin, their agenda is different. The completists gathered at Alexanderplatz aspire for justice primarily on an intimate level.
They believe that only when the redistribution of material wealth includes equal chances of finding sex and love—no matter how elderly, disabled, or ugly you are—communism will become real. Michalis Pichler Ed. Books and Ideas after Seth Siegelaub Books and Ideas after Seth Siegelaub spans an arc of tension between the works of Seth Siegelaub and contemporary cultural production.
It features an interview with Seth Siegelaub, two essays by Regine Ehleiter and Michalis Pichler, and an extensively illustrated catalogue with bibliographic details. Putting Rehearsals to the Test Practices of Rehearsal in Fine Arts, Film, Theater, Theory, and Politics Although the format of the rehearsal is used across a number of disciplines—film and theater as well as fine arts—it has been scarcely considered in historical and contemporary art discourses.
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With this in mind, Putting Rehearsals to the Test investigates the role and function of the rehearsal as a methodology, modus operandi, medium, site of representation, and reflection on processes of artistic production. Samuel Bianchini, Emanuele Quinz Eds.
How can it be analyzed, understood, theorized, experienced, and how can we conceive of works that possess the faculty of action and reaction to their environment and public? The double-projection film installation is based on a script that borrows texts from American punk-poet Kathy Acker, as well as chats and materials by convicted whistle-blower Chelsea Manning that speak of her reasons for revealing nearly one million secret military and diplomatic documents through WikiLeaks, at the same time exposing her transgender identity to her superiors.
Through poetic gestures of appropriation and recombination, Boudry and Lorenz examine issues around gender, sexuality, the performance of identity, and the nature of collaboration. Demos Decolonizing Nature Contemporary Art and the Politics of Ecology While ecology has received little systematic attention within art history, its visibility and significance has grown worldwide in relation to the pressing threats of climate change, global warming, and environmental destruction.
The festival has continuously produced projects with international artists that experiment with various institutional frameworks. This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years. Producing images becomes akin to building infrastructure; her computer-generated bodies are imbued with power and put to work. This publication accompanies the first institutional solo show by Cooper, winner of the Schering Stiftung Art Award.
Dysfunctional Comedy A Reader Dysfunctional Comedy documents a series of public events, performances, and workshops conceptualized by German-American artist Olav Westphalen and organized with different partners, mainly in Sweden, between and It is a solidary school by refugees, asylum seekers and migrants who contribute to the program as lecturers, consultants and researchers.
Abraham Adams, Lou Cantor Eds. The first volume, Language and Misunderstanding , addresses concretism and its discontents. The essays and performance texts herein argue for an expanded consideration of concretism in contemporary practices oriented toward the embodiment of language, in works that challenge the privileging of the body of the word over the body of the artist.
James Voorhies Ed. What Ever Happened to New Institutionalism? New Institutionalism , a mode of curating that originated in Europe in the s, evolved from the legacy of international curator Harald Szeemann, the relational art advanced by French critic and theorist Nicolas Bourriaud, and other influential factors of the time. These approaches posed other possibilities and futures for institutions and exhibitions, challenging the consensual conception, production, and distribution of art. For the exhibition, two complementary yet autonomous artists were brought into dialogue with each other: German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.
He treats his paintings as objects, often created through more or less laborious, serial, or deterministic processes where time itself, as well as various external factors, become active cocreators in the making of the work. Cave 1—Territories Cave is a series of publications featuring commissioned and republished explorations, anecdotes, research, documents, case studies, essays, and scenarios on how to think and practice contemporary collecting.
The first issue of Cave looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure. Featuring essays on the highs and lows of the conceptual turn in poetics, avant-garde literary genealogies, and monographic pieces on Paul B. Preciado, Chris Kraus, and Pierre Guyotat, among others, Brutalist Readings explores the radical histories of writing, as well as its potential now. Jens Hoffmann Ed. Charlemagne Palestine GesammttkkunnsttMeshuggahhLaandttttt Charlemagne Palestine works from a highly personal universe of ritual, intoxication, and shamanism.
Over the last four decades the artist has created an extensive body of experimental musical compositions, bodily performances, and, in later years, visual artworks inhabited by stuffed animals. Ina Blom The Autobiography of Video The Life and Times of a Memory Technology In her innovative take on early video art, Ina Blom considers the widespread notion that video technology was endowed with lifelike memory and agency. She follows the reflexive unfolding of an analog technology that seemed to deploy artists and artistic frameworks in the creation of new technical and social realities.
Olivia Plender Rise Early, Be Industrious As the first significant overview of the work by artist Olivia Plender, this monograph navigates through the evolving attitudes to historical and contemporary forms of communication and education that her research-based practice has explored for the last ten years. The art prize aims to put into practice and to question intra-Asia art connections, gaps, and combinations that build very active art scenes from specific contexts to ongoing extensions.
The Archive as a Productive Space of Conflict The applied research project and publication The Archive as a Productive Space of Conflict deals with archival practice and its spatial repercussions. Annette Gilbert Ed. Publishing as Artistic Practice What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated.
How the traditional publishing framework has been cast adrift, and which opportunities are surfacing in its stead, is discussed here by artists, publishers, and scholars through the examination of recent publishing concepts emerging from the experimental literature and art scene, where publishing is often part of an encompassing artistic practice. Developed over the past ten years of her practice, these works explore communication and interaction between individuals, often against the backdrop of a unique public location, in order to cast attention on repressed, incomplete, and unresolved histories.
Nav Haq Ed. Syntax and Society , the first volume, reflects on the exhibition premise that considered the structure and meaning of language and the role it plays in society, with a focus on the work of the three shortlisted artists, Dina Danish, Mahmoud Khaled, and Basir Mahmood while the second volume, Oh Shining Star Testify , focuses on the work of award-winning artist duo Basel Abbas and Ruanne Abou-Rahme. It includes documentation of the eponymous exhibition at Rockbund Art Museum May 30—October 7, , along with detailed sketches of both existing and unrealized projects.
Painting beyond Itself The Medium in the Post-medium Condition In response to recent developments in pictorial practice and critical discourse, Painting beyond Itself: The Medium in the Post-medium Condition seeks new ways to approach and historicize the question of the medium. Reaching back to the earliest theoretical and institutional definitions of painting, this book—based on a conference at Harvard University in —focuses on the changing role of materiality in establishing painting as the privileged practice, discourse, and institution of modernity.
Individual Stories Photographs, books, and knickknacks: artists collect a variety of objects. While artists generate personal collections, which often address different formal, aesthetic, or conceptual concerns, it is difficult to separate this activity from their artistic practices. Over time, whether intended or not, such accumulations of items may become works of art. Individual Stories considers the collection as a portrait of its collector and also as an artistic method—as a process rather than an end result. This catalogue is a compilation of individual collections that could not be more different.
Anchored in concerns that emerged in the late s and s, Welchman poses thoughtful and provocative questions about how these artists receive and negotiate the social and aesthetic histories through which they live and work. Shahryar Nashat Obituary The subject of this book is a deceased prop, an object of a particular color, the green of cinematic trickery and special effects. Taking its final form a year later, the prop became properly known as La Shape. Felicity D.
From now on, Bulletins of The Serving Library will proceed in full color and at half its former size but will be twice as good. Rare Earth Rare Earth is an attempt to define the spirit of an age. It helps local residents and others to shape their lifeworld and explore possibilities for action, instead of the usual experience of powerlessness and marginalization in the face of urban development. Public Design Support offers free practical help in dealing with everyday problems while also helping to develop alternative conceptions of the city.
This publication—which includes key project materials, scholarly essays, and significant historical texts—chronicles the aspirations, methods, and projects of the first four years of Public Design Support. Ull Hohn Foregrounds, Distances Ull Hohn: Foregrounds, Distances aims not only to offer the first comprehensive overview of his work, but also to contribute to a history of painting-based practices, which occupy a marginal place in the established narratives of the art of the s and s Suzana Milevska Ed.
On Productive Shame, Reconciliation, and Agency On Productive Shame, Reconciliation, and Agency prompts a unique crossdisciplinary inquiry into the productive potential of the affect of shame. This book contests the ontological understanding of shame and the psychoanalytical interpretation of it based on personal traumatic experiences linked to lack, loss, memory repression, and absence. Both rely on all manner of doubles, models, gimmicks, ruses, prototypes, and shock-and-awe campaigns to realize their propagandas of the deed, threat, and image.
Blurring reality and delusion, they collaborate on a literally psychotic politics of architecture. Tom Burr Anthology: Writings — Since the late s, Tom Burr has been reusing appropriation strategies in his art. Not confined to his photographic and sculptural works, they also lend momentum to many of his writings. The artist creates assemblages of personal writings and sources, differing in nature and style, which he has used as both conceptual and aesthetic materials.
Thirty-seven texts—works, poems, autobiographical texts, and portraits—have been compiled for the first time in this publication. A collection of electronic works by Dexter Sinister produced from to Dexter Sinister is the compound name of Stuart Bailey and David Reinfurt, who operate at the intersection of graphic design, publishing, and contemporary art. The artist duo became watercolorists for the project, harping back to an early amateur pictorial tradition while basing their picture making on a range of quotidian and historical images culled from the Internet.
In , she became the unsalaried Artist-in-Residence for the New York City Department of Sanitation, a position she still holds that enables her to introduce radical public art into an urban municipal infrastructure. Cord Riechelmann, Brigitte Oetker Eds. In the world of contemporary art, animals now occupy center stage. She then invited nine artists to contribute to this narrative. Metahaven Black Transparency The Right to Know in the Age of Mass Surveillance Black transparency is an involuntary disclosure of secrets against a backdrop of systematic online surveillance, as large parts of contemporary life move into the digital realm.
A Journal of the Plague Year Expanded from a touring exhibition originated at Para Site in , this book critically analyzes historical and contemporary imaginations and politics of fear in the face of disease and the specter of contamination in society and culture. The contributions speak from a humanistic and global perspective, pointing to the intersections of urban environments and post-colonial psychology, popular culture and racism, public health and migration, national identity and art.
The artists present material they have collected since , focusing on the way that personal narratives are formed and articulated in a post-digital age. Moving through a wide range of formats, the book encompasses manifestos, music scores, forecasts, conversions, translations, architectural programs, and other difficult-to-categorize works. With sharp teeth and a killer instinct, Haiduk leads the way to a sunny spot where every soul suffers infinite injustice.
This is their conversation. Ingo Niermann Solution — Drill Nation Having furnished solutions for Germany and Dubai, Ingo Niermann takes a new look at what nationhood can mean and accomplish today, finding inspiration, of all places, in North Korea. By relying on drills and a principle of reduction, the individual can be granted a freedom for experiences and ideas that are not possible otherwise. Alhena Katsof, Dana Yahalomi Solution Double Agent The phenomenal performative relationship between the state and its cultural institutions was perhaps best exemplified when the declaration of the State of Israel was staged at the Tel Aviv Museum of Art in Solution Double Agent , authored by Alhena Katsof and Dana Yahalomi, presents a methodology, manual, and performance offered as a culmination of efforts by the Office of Strategy and Protocol.
It contains the necessary tools to activate Debriefing Sessions and in doing so trains future Agents in a series of one-to-one exchanges gathered from work in the field. Bulletins of The Serving Library 9 Summer Issue number nine tackles all manner of sports and games, providing commentary on their language, politics, and philosophies. In between, the issue slaloms around bodybuilding, bridge, ice hockey, tennis, darts, golf, reporting, running, drugs, rock climbing, basketball, and Pong.
Mai Abu ElDahab Ed. The Paris-based architects opened their lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility, access, choice; and most importantly, never demolish.
Eyal Weizman The Roundabout Revolutions Critical Spatial Practice 6 One common feature of the wave of recent revolutions and revolts around the world is not political but rather architectural: many erupted on inner-city roundabouts. In her research, she explores—through the figures of James Joyce and Robert Walser—deviant literature, exploded language, the unconscious, and the notion of exile as inherent to artistic practice. Sarah Entwistle Please send this book to my mother In Please send this book to my mother , artist Sarah Entwistle dismantles the traditional form of the architectural monograph and artist biography.
In , the astounding personal effects of her grandfather, architect Clive Entwistle —76 , emerged from a Manhattan storeroom. The year sees the seventieth anniversary of the liberation of Europe from Nazi totalitarianism. Only few witnesses of these past events are still alive at this time. Many events are known, many interpretations contested, but an encounter with contemporary art that focuses on historic sites in the landscape, and decides to interpret these sites differently, is unprecedented.
Art in the Periphery of the Center Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center, the periphery often finds itself excluded both on a structural and actor-related level, no matter if the center-periphery model is defined in terms of space or along relations of power. The publication Art in the Periphery of the Center attempts to shift practices of thought toward both critical realism and new materialism. At the end of the festival, the structure will be transported to Thailand and will be the first building block of a new workshop on the land.
Using a large collection of magazine pages he had kept for inspiration, Fecteau arranged and rearranged them into formal and narrative relationships over the course of several months, and presented them in a simple black binder. This book is a reproduction of the resulting selection. Adopting a variety of modes of address, this book acts as a kind of theater for considering the questions: How does one choreograph a history that is constantly being re-imagined?
And, how do we speak of an anthropology of movement? Paradiso Lussemburgo, a project proposed by Markiewicz and curator Paul Ardenne, creates an active theater, which the reader continues and further opens for participation. For his digital compositions Sadeghi, in dialogue with Pfeifer, took the field recordings made by missionary and anthropologist Martin Gusinde in of Yaghan chants in Bahia Mejillones as point of departure and reference.
Benjamin Seror Mime Radio Mime Radio was performed and written orally by French artist Benjamin Seror at a series of events over a two-year period, then transcribed and edited into a novel. Jaanus Samma Not Suitable for Work. He lost his job and was abandoned by his family. After spending a year and a half in a corrective labor camp, Ojaste moved to Tartu where he became a local legend, notorious for his active gay life.
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Realism Materialism Art Realism Materialism Art RMA introduces a diverse selection of new realist and materialist philosophies and examines their ramifications on the arts. The book also considers the current commodification of the art industry and the distribution of images in the digital age. Drawing from his formation in theater and his own curatorial work, Jens Hoffmann reflects on the spaces of contemporary art—the gallery, the institution, the biennial—and ultimately positions the discipline of curating in the context of a larger cultural sphere shaped by the political, social, and economic conditions of its time, while demanding new attitudes and new thinking.
Sculpture Unlimited 2 Materiality in Times of Immateriality While the first volume Sculpture Unlimited dealt with the question of how the contemporary field of sculpture can be defined in a useful and stimulating manner against its long history, the second volume looks at the present and future.
With sculpture as a leading reference, the contributions address theory, aesthetics, and technology: Do current philosophical movements such as new materialism and object-oriented ontology affect our notion of the art object? Does so-called post-Internet art have a future? And how does the Internet of Things relate to objects and things in art? Through the use of a saturated blue color altered by light and demarcated by architectural forms, the installation at the Venice Biennale reflects on the salient concept of the border.
Sabine Folie Ed. Joseph Kellner Ed. Furniture of the Fogo Island Inn This unique publication, filled with annotated images, presents an inventory of design, furniture, and textiles produced for Fogo Island Inn. Each piece is a collaborative effort between artisans and craftspeople living on the island and designers from various parts of the world who were invited to engage with the history and communities of Fogo Island and Change Islands in Newfoundland, Canada. Mathilde ter Heijne Performing Change Performing Change , a collection of interviews by artist Mathilde ter Heijne, explores the idea of open-ended, collaborative art processes and their transformative potential beyond the confines of art.
Combining evocation and documentation, Lulaj concentrates on a historic-political phase that was extremely important for building an identity that was not just Albanian but also international. The internet is an ever-growing storage space of information that we have come to rely on—but what does this thing called the internet really mean? And does it still exist? Rike Frank, Grant Watson Eds. Textiles Open Letter Textiles: Open Letter examines the referential and analytical qualities of textiles through both contemporary and historical works.
The contributions in this book reflect on the complex interplay between the various functions and connotations of textiles—such as the emphasis on their tactile qualities or the artistic value attributed to them—and the attendant conflicts and antagonisms that articulate relations of power and value and of the interaction of artistic processes with their overarching contexts.
Alongside comprehensive exhibition documentation, the actual construction and installation of the artworks is presented. Inke Arns Ed. World of Matter World of Matter is an international research project investigating primary materials and the complex ecologies of which they are a part. Jutta Koether f. Artist Novels The Book Lovers Publication This publication is devoted to the phenomenon of the artist novel, and whether it can be considered to be a medium in its own right within the visual arts. Thanks to the contributions of a selected group of artists, writers, curators, and scholars this publication strives to demonstrate that literature, when treated by visual artists, can take place well beyond the space of the book.
The exhibition explores the layering of time through historical artifice. History here is considered as a constructed sphere, constantly in flux, simultaneously being buried and excavated. Amar Kanwar The Sovereign Forest The Sovereign Forest attempts to reopen discussion and initiate a creative response to our understanding of crime, politics, human rights, and ecology. The validity of poetry as evidence in a trial; the discourse on seeing, on understanding, on compassion, on issues of justice; sovereignty and the determination of the self—all come together in a constellation of moving and still images, texts, books, pamphlets, albums, music, objects, seeds, events, and processes.
Much of his work presented in this catalogue—framework installations, hay images, and straw images are displayed in this book—was made together with farmers and craftspeople; by transforming age-old handiwork into contemporary art, Holzapfel unsettles the division between nature and culture, and tradition and modernity.
Sophie von Olfers, Mark von Schlegell Eds. Christiane Kruse, Antje Majewski Eds. The texts collected here give an introduction into concepts that are more than years old, yet still raise relevant questions about our current relationship to nature—both to nature in the sense of environment and ecology, and to our inner nature and its connection to the world we live in.
- The Logic of Images: Essays and Conversations.?
- Light Scattering by Optically Soft Particles: Theory and Applications (Springer Praxis Books).
- Choose Joy: Because Happiness Isnt Enough.
- Passivation of Metals and Semiconductors, and Properties of Thin Oxide Layers. A Selection of Papers from the 9th International Symposium, Paris, France, 27 June – 1 July 2005;
- Courting Communities: Black Female Nationalism and Syncre-Nationalism in the Nineteenth-Century North (Studies in African American History and Culture).
- The logic of images: Essays and conversations?
Lou Cantor, Clemens Jahn Eds. Turning Inward Turning Inward comprises a selection of texts by international artists, critics, and curators, which aims to renegotiate the relationship between centers and peripheries in contemporary art worlds. In the context of advanced globalization, the distributed agency of networked power structures can hardly be localized any longer in geographical terms.
Yet, if we are to turn our attention away from geographical—that is, horizontal—relations, we can conceive of the central and peripheral as vertical phenomena that can coexist spatially in the shapes of social constructions, genealogies, or epistemic formations. In the Holocene In the Holocene is based on a group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought.
Through the work of an intergenerational group of artists, the exhibition and book propose that art acts as an investigative and experimental form of inquiry, addressing or amending what is explained through traditional scientific or mathematical means: entropy, matter, time cosmic, geological , energy, topology, mimicry, perception, consciousness, et cetera. Headless is a coded, clandestine novel that nevertheless makes for breathless reading until the last page. Founded by Isidore Isou in Paris immediately after World War II, it remains active to this day, having lost none of its radicalism, either aesthetic or ethical.
In this book, Nicole Brenez presents the key figures and the basic concepts of Lettrist cinema, the art form within which their formal innovations proved the most far-reaching, prefiguring the breakthroughs of the nouvelle vague and the experiments of expanded cinema. Replete with experimental recipes the founder of Futurism, Marinetti, is known to have ranted about the social dangers of pasta eating , the book is a multilayered exploration of cultural metabolisms, with the dining table as its centerpiece, of course!
Axel Wieder, Florian Zeyfang Eds. Open Form Space, Interaction, and the Tradition of Oskar Hansen This publication examines the impact of Oskar Hansen within contemporary visual culture and the redefined role of the viewer since the s. The book includes in-depth interviews with some of the most important protagonists of experimental art in Poland, who investigate the historical impact of the open form. Each interpreting the theme in an unconventional and abstract sense, it is an alternative omnibus of everyone's favorite and most controversial holiday.
Artwork is provided in the form of a colorful collection of romance covers illustrated by Vicki Khuzami. Renate Lorenz Ed. Not Now! The book connects the postcolonial and queer debate around chronopolitics with artistic strategies that introduce breaks, stutter time, use citations and anachronisms, and introduce deferrals and collapses between time and meaning.
Yet it is the commonality of modernist architectural form rather than the peculiarities of place, nation, or time that attracts her lens. In Weltausstellung , visual anonymity is the main event—but not the whole story. Felix Ensslin, Charlotte Klink Eds.
Aesthetics of the Flesh Word becomes flesh, God becomes pigment, beauty becomes empirical form, power negotiates itself in matter—and vice versa: these are some of the connotations carried by the aesthetics of the flesh. However, unlike conventional pictorial dictionaries, there is no symbolic system.
Juxtapositions are normalized, and normality becomes a farce. This fully circular publication has no beginning or end, allowing for multiple points of entry and unconventional ways of reading--both from left to right and vice versa, as well as upside down and right-side up--seeking to interrupt learned behaviors and soliciting the reader's active engagement. It is a polyphonic collage of text and image.
More than seventeen years of artistic output unfold between the first and last pages. In this work, along with others from the same period, Fassbinder established a Jewish-German mirror rotating on the axis of the Holocaust. As this publication vividly captures, her work weaves an unlikely bond between minimalist sculpture and the frayed, human history of textile work. Piper Marshall Ed. Dominic Eichler, Brigitte Oetker Eds. PS: Jahresring 61 The Jahresring series is one of the longest continually published annual journals for contemporary art in Germany.
The 61st edition is a reader and visual sampler with contributions from visual artists, writers, poets, musicians, choreographers, and designers. Bringing together a discursive array of forms and timbres, it takes an intertextual and interdisciplinary approach to exploring some contemporary cultural resonances with respect to gender and sexuality. Ana Teixeira Pinto Ed. The Reluctant Narrator A Survey of Narrative Practices Across Media An explosion of interest in narrative practices at the end of the twentieth century has been referred to as the "narrative turn.
What has happened here? Mark von Schlegell Ickles, Etc. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Ines Lechleitner The Imagines The Imagines is based on the texts of four writers that each engage with a recent project by Ines Lechleitner. In response to each critical contribution, Lechleitner develops a visual section where elements and fragments of the selected projects build up their own narrative in relation to the specific space of this book.
Thomas Thiel Ed. Michael Schindhelm Solution Lavapolis The tenth speculation in the Solution series imagines a possible European present and future. Seventy years ago, the small island nation of Lavapolis was founded. It began as an alternative, a gambling destination to rival Las Vegas, and became a model for a new way of living. With its principle of universal solidarity, the nation counters the pitfalls of contemporary global society. It is an ever-shifting utopia; a volcano jutting out of the Mediterranean Sea; an extension of the open frontier. The biographies of its inhabitants are integral to the whole.
If the world backs down from the challenges of Lavapolis, the island is destined to erupt. Elke Gaugele Ed. Aesthetic Politics in Fashion Aesthetic Politics in Fashion outlines critical studies in the present cross-sections of fashion, art, politics, and global capitalism. Critically examining contemporary collaborations of artists, media, and fashion labels, this groundbreaking anthology locates fashion within ecological and ethical discourses, postcolonial styles, and critical reflections on whiteness.
The individual projects focus on different environments that are often characterized by crisis—mostly dealing with communities and their fringes, with proxies and symbolic representations, as manifested, for example, in forms of protest or religious garments. Cultures of the Curatorial 2 Timing: On the Temporal Dimension of Exhibiting Focusing on time instead of the typically predominant category of space, this publication—the second volume in the Cultures of the Curatorial series—takes up the key aesthetic, social, political, and economic issues of the early twenty-first century running through the field and framed by the axes of exhibiting and the temporal.
Lisa Oppenheim Works — Over the past decade, artist Lisa Oppenheim has steadily developed a unique body of work exploring the usage of historical imagery. Balanced between appropriation and reconstruction, her work relies on substitutions applied to photographic and filmic records through which the historical and the present are transmitted and constituted through a language of today. Cluster: Dialectionary Cluster is a network of eight contemporary visual arts organizations each located in on the peripheries of European cities.
Each organization is focused on commissioning, producing, and presenting contemporary art, and the nature of the work is often experimental, process-driven, involves research, is based on working with international and local artists, and often engages with diverse publics on a local level. Compiled over a period of two years, Cluster: Dialectionary aims to find new ways to position this work and the work of contemporary visual arts organizations more broadly, particularly in relation to wider social, political, and cultural concerns.
Published following the closing of the exhibition, this catalogue should be considered a continuation of the project, as a resource in itself, rather than simply documentation or commentary. The book includes several essays that discuss possible interpretations and consequences of the artwork, questioning the role of history and commemoration in Germany today. Artwork is provided by Willem de Rooij, whose series comprises collected images from the Internet displaying the aftermaths of destroyed and looted cultural heritage sites in conflict zones such as Iraq, Mali, Egypt, Syria, and Bosnia-Herzegovina.
Performance artists, astronauts, an airplane, Zen masters, and hunger artists are some of the companions of this exploration into hidden realities. Hu draws on the experience of everyday life, the past, and the future to create otherworldly stories where reality turns into fiction and science fiction becomes reality. Employing new video formats as they become available, many of which have quickly fallen into obsolescence, Auder has prolifically produced short and feature films as well as video installations and photography that transgress genres, gleaning the fields of art history, literature, commercial television, and experimental cinema.
Tone Hansen, Marit Paasche Eds. The events of July 22 transformed normality as we knew it and, consequently, the predictable as well. The normal was no longer familiar, and the abnormal was no longer associated with the foreign. The result is an open and inquiring look at our own time. The Phantom of Liberty Contemporary Art and the Pedagogical Paradox One of the few things we have in common in contemporary society is the future of our children.
What happened to the reform pedagogy of the twentieth century? What is the status of childhood in the era of the consuming child and the playing adult? This anthology is a collection of twenty-one essays and conversations that weave in and out of the two key areas of research and teaching within performative fine arts.
Komar-Myshkin committed suicide in , soon after completing the album. Chantal Pontbriand Ed. Truth Is Concrete A Handbook for Artistic Strategies in Real Politics Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics takes the possibility of concrete truth as a working hypothesis and looks for direct action and concrete knowledge: for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that not only acts for the sake of acting but searches for intelligent, creative means of self-empowerment.
Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets. However, when failing, buildings can create their own alternative markets of durable spatial variables that can be managed and traded by citizens and cities rather than the global financial industry.
The contrasting influences of place—between rural and urban, new and old world—is evident in the selection of works presented and compiled in this catalogue. Hito Steyerl Too Much World The Films of Hito Steyerl Hito Steyerl is rightly considered one of the most exciting artists working today who speculates on the impact of the Internet and digitization on the fabric of our everyday lives.
Her films and writings offer an astute, provocative, and often funny analysis of the dizzying speed with which images and data are reconfigured, altered, and dispersed, many times over, accelerating into infinity or crashing into oblivion. This book gives a somewhat different introduction to contemporary speculative philosophy, raising questions on how thinking works and how thinking occurs in drawings or illustrations.
How does a poetic thinking work that's not about but with art? The condition of forensis is one in which aesthetic practices, new technologies, and architectural research methodologies bear upon the legal implications of political struggle, violent conflict, and climate change. Beatriz Colomina Manifesto Architecture: The Ghost of Mies Critical Spatial Practice 3 In the third book in the Critical Spatial Practice series, Beatriz Colomina traces the history of the modern architecture manifesto, with particular focus on Mies van der Rohe, and the play between the written and built work.
This essay propels the manifesto form into the future, into an age where electronic media are the primary sites of debate, suggesting that new forms of manifesto are surely emerging along with new kinds of authorship, statement, exhibition, and debate. Sweet Sixties Specters and Spirits of a Parallel Avant-Garde Sweet Sixties is a long-term trans-regional research initiative working between art, research, media, and educational contexts in Europe, the Middle East, western and central Asia, Latin America, and northern Africa.
Involving a particular group of experimentally oriented arts and research groups as well as individual artists, researchers, and media, Sweet Sixties investigates hidden histories or underexposed cultural junctions and exchange channels in the revolutionary period of the s. As such, its nominal theme is Fashion. Brian Dillon Objects in This Mirror Objects in This Mirror posits a polemical defense of intellectual and cultural generalism and curiosity. The collection of essays rewardingly navigates such diverse subjects as the writings of W.
Sebald and Roland Barthes to the history of cravat-tying manuals and the search for a cure to the common cold. Staying true to the idea of the essay as a self-aware but generous literary and critical form, this book explores the variety of topics it has been possible in recent years to corral within the rubric of art writing or criticism. This new volume brings together a selection of Jan Verwoert's most recent writings. Model House Research Group Ed. Transcultural Modernisms Based on the findings of an interdisciplinary research project, Transcultural Modernisms maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity manifested in various ways in housing projects in India, Israel, Morocco, and China.
Petra Reichensperger Ed. Here, the social totality creeps into the picture. Come On compiles ten texts written between and This new collaborative publication, Dare to Count Phonemes and Graphemes , has evolved within the framework of these geographically separate yet collaboratively conceived exhibitions. Jakob Schillinger Ed. In five episodes, a fictionalized narrative stages the backstage and theatricalizes the social interactions and power games, the aspirations, passions, and everyday realities of the field.
Regarded as one of the key protagonists of Eastern European conceptualism, the Romanian artist advocates a radical convergence between the organic and spiritual, an uninhibited immersion of life into art. The main part of the publication comprises visual materials and texts written by the artist that span several decades of her activity, outlining the exceptional manner in which she has appropriated the lesson of modernism and interrelated it with conceptual challenges.
The Logic of Images: Essays and Conversations
For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space. Chantal Pontbriand The Contemporary, the Common Art in a Globalizing World The essays in this collection were written in the first decade of the new millennium by the critic, editor, and curator Chantal Pontbriand. Based on a series of interviews and site visits with living artists about the role of their home in relation to their work, Kirsty Bell looks at the house as receptacle, vehicle, model, theater, or dream space.
John Smith This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife. Scandalous A Reader on Art and Ethics Recent encounters between art and real life, the ubiquity of images of violence and humiliation in visual culture and the media, and the persistence of controversial debates on public and participatory art projects are raising fundamental questions about the importance of ethical decisions in art and curating.
How far can provocation in art go, before it becomes cynical and abusive? Are ethical decisions seen as more urgent in participatory art? What is seriousness exactly, and where does it reside? Is it a desirable value in contemporary culture? Astrid Schmetterling, Lynn Turner Visual Cultures as Recollection Memory has become a major preoccupation in the humanities in recent decades, be it individual and collective memory, cultural and national memory, or traumatic memory and the ethics of its representation.
In an era of hyper-specialization and rigid academic protocols, Barry Schwabsky revives a form of criticism one imagined barely existed—a criticism of varied interests and passionate opinions. Deborah Ligorio Survival Kits For years now our lives have been shaped by a crisis impacting both our economy and our personal lives. But what is ultimately in crisis? Survival Kits offers twelve perspectives on this issue—from fields as diverse as philosophy, politics, media theory, environmental activism, feminism, post-human theory, literature, geopolitics, art, and economics.
Karen van den Berg, Ursula Pasero Eds. Art Production beyond the Art Market? A fundamental reordering of artistic production and a transformation of the art field are about to take place. Heated debates have been sparked over new forms of work, public subsidies, and the expanding impact of the creative industries.
If your instructor asks you to describe your favorite food, make sure that you jot down some ideas before you begin describing it. For instance, if you choose pizza, you might start by writing down a few words: sauce, cheese, crust, pepperoni, sausage, spices, hot, melted, etc. Once you have written down some words, you can begin by compiling descriptive lists for each one. This means that words are chosen carefully, particularly for their relevancy in relation to that which you are intending to describe. Why use horse when you can choose stallion?
Why not use tempestuous instead of violent? Or why not miserly in place of cheap? Remember, if you are describing something, you need to be appealing to the senses of the reader. Explain how the thing smelled, felt, sounded, tasted, or looked. Embellish the moment with senses. If you can describe emotions or feelings related to your topic, you will connect with the reader on a deeper level. Many have felt crushing loss in their lives, or ecstatic joy, or mild complacency.