The Misanthrope and Other French Classics (Eric Bentleys Dramatic Repertoire)

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The Misanthrope and Other French Classics

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The Misanthrope and Other French Classics Eric Bentley's Dramatic Repertoire ; V. 3

He said implausible and immoral characters should not be featured in plays, even if they are based in history. Corneille ignored this and proved that plays did not need to be didactic, always showing evil being punished. Too many actions occur in a hour period, and Le Cid did not conform to unity of place. In response to these critiques, Corneille argued that his play evoked both pity and fear.

He argued that multiple actions worked well for a play to have a strong beginning, middle, and end. There is only one complete action in the play, but it can evolve through several other incomplete actions. The play was set in only one city, which Corneille believed should be equivalent to unity of place. Setting: The play takes place in the city of Seville in the Castille region of Spain during the second half of the 11th century.

The Infante or princess reveals that she is also in love with Rodrigue, but could never marry him because of his lower social class. The count disarms him and insults him before leaving.

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Don Arias tells the count that the king forbids a duel between him and Rodrigue, but the count arrogantly disobeys and wants to fight regardless. He taunts Rodrigue but also commends him for his lack of fear and spirit and asks him to stand down, but Rodrigue refuses.

A page notifies them that he saw the two men leaving the palace. The king also worries about a potential impending attack by the Moorish navy moving toward his lands. Don Alonse enters and announces that Rodrigue has killed the count.

She plans to follow him in death afterward. Rodrigue returns home, and his father tells him the Moors are going to attack. Rodrigue goes to war and is very successful. Regardless, she still feels the need to avenge her father's death. Don Sanche says he will fight Rodrigue on her behalf, and she promises to marry whoever triumphs. She says he must truly fight to save her from a marriage to Don Sanche.

She cries that she loved Rodrigue, and pleads not to marry the victor, but will instead enter a convent and grieve forever over her father and Rodrigue. She will leave all of her possessions to Don Sanche.

However, the king tells her Rodrigue is still alive. Rodrigue disarmed Don Sanche but decided to let him live. Don Sanche says the two should marry because of their obvious love for one another. The play is written in rhyming couplets with alternating masculine and feminine rhymes, as is typical of French drama. The opening lines are as follows:. Some English translations of the play imitate the rhyme scheme, while others are written in prose.

The play's meter is alexandrine or vers alexandrin , which was popular in classical French poetry. Each line must contain 12 syllables, and major accents are placed on the 6th and 12th syllables. The caesure caesura, or pause occurs after the 6th syllable, halfway through the line. It is frequently used as a strong syntactic break in the wording. Enjambment is not used in the French alexandrin, but is sometimes employed in English translation of the verse.

The name of the line originated from the Roman d'Alexandre , written in Scholars estimate that at least twenty-six composers have created an operatic adaptation of the classic tale.



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